Barry1963
Easily Led
Yes Paul, Finchley features fairly regularly. As does Barnet, Enfield, Harringay etc.Any of these books set in Finchley, Nort London? I was bought up in Finchley for most of my childhood.
Yes Paul, Finchley features fairly regularly. As does Barnet, Enfield, Harringay etc.Any of these books set in Finchley, Nort London? I was bought up in Finchley for most of my childhood.
I have always found futurist art interesting. But the politics....
Yes. Still, I sometimes think that without the 'dynamic' fascist politics it's doesn't have any living thread, it's just 'boardroom' or "waiting room" art, design, stuff with curves in it.I have always found futurist art interesting. But the politics....
Yes I take that point. The politics give the art its function and edge.Yes. Still, I sometimes think that without the 'dynamic' fascist politics it's doesn't have any living thread, it's just 'boardroom' or "waiting room" art, design, stuff with curves in it.
They realised, as Gramsci eventually did, that any kind of modern revolutionary politics was going to be as much about "culture" as it was about money or class etc. It's tempting to see the Futurists solely as part of a line of traditionalists and reactionary-dreamers, like Evola or Hamsun, but they were revolutionaries in their way. Marinetti's longest serving friends and allies were syndicalists and anarchists who shared his ideas about the revolutionary potential of warfare and he dedicated a work of poems to the great syndicalist Sorrell. The Futurists are also one of the few art movements to get what they wished for - their manifesto stated that they wanted to die before they got old, and the best of them were killed in WW1.Yes I take that point. The politics give the art its function and edge.
Hegemony if you like. And then you have the Russian futurists of course. Very interesting, but my knowledge is sketchy at best. Could you recommend a primer @Lord Fatboy?They realised, as Gramsci eventually did, that any kind of modern revolutionary politics was going to be as much about "culture" as it was about money or class etc. It's tempting to see the Futurists solely as part of a line of traditionalists and reactionary-dreamers, like Evola or Hamsun, but they were revolutionaries in their way. Marinetti's longest serving friends and allies were syndicalists and anarchists who shared his ideas about the revolutionary potential of warfare and he dedicated a work of poems to the great syndicalist Sorrell. The Futurists are also one of the few art movements to get what they wished for - their manifesto stated that they wanted to die before they got old, and the best of them were killed in WW1.
I read this a few months ago. Very entertaining.![]()
Sent from my iPhone using Tapatalk