Simpson Brushes Appreciation Thread

Shaun2

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Carter-era brushes seem to me to comprise old rod stock (like yours) and were possibly even turned prior to when Carter/Woodhouse began turning their own. These earlier ones might be more properly called "Somerset". The later versions, also using lamp black, used a much whiter resin of some kind. The shape wasn't as nice, either, to my eyes at least. Check this example (not mine) of what I would call a "later" Carter-era turned PL14. You will see it is squarer/chunkier and very white. I think the lettering stamps used were the same ones. Loft quite different, too. Less substantial, maybe.

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Shaun2

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Compare the one above to this one, noting both use lamp black (pre-Vulfix). Shoulders are different, and overall is curvier and so on. Some like the above Carter-era (I have an example of such, but in a Chubby); others prefer the type as per below.

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Shaun2

Forum GOD!
I'm not sure how many times I have read that Somerset (Nimmer Mills/Carter-era) brushes are characterised by the use of "surface" lamp-black, rather than etching, hammering/stamping, but that's not absolutely correct. I have several earlier Somerset brushes (Nimmer Mills butterscotch) that are a combination of these processes. Below is a Case in Best that is such a brush. The letter stamping tool was first held over a lamp flame to gather the soot or "lamp black" and the lettering was then stamped into the handle.

From what I can tell, Carter-era brushes (the later Carter period, using the very white material) have ONLY "surface" lamp black. I don't know how it was applied. Vulfix brushes are characterised by automated, etched lettering.

Below is the Case, mentioned above:

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